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In our area, the coro players guitar enthusiasts are not willing to get up there and play publicly. There are of course many amateurs who would never take part, who would never countenance putting themselves under such pressure.

As you said yourself, maybe about year.

Barrios Mangoré, Agustín – Choro da Saudade – Page 2 – Classical Guitar

Deer in the headlights time! I went right to a particular measure in the C section where I have a problem with series of slurred notes and an ornament. I love this piece so I am sure that you will setup all of the parts to finally be fully satisfied with your playing and recording.

I still have parts where there are technical problems to solve, and areas where the musical effect I want is not coming out or is not consistent enough. Your encouragement by doing it yourself is tremendous – thank you! Also, I love the sound of your guitar and recording, clear sound without noise and unnecessary knocking around. Forum guitare classique – Forum chitarra classica – Foro guitarra clasica – Free sheet music for classical guitar – Delcamp.

At the conclusion of each session, Jorge asked if there were any questions.

Qgustin it was a good masterclass Each time I do this, I seem to be a little less nervous, but I’m still better in the practice room like everyone else! So having three players for the class, two conservatory students and one guitar enthusiast, means that those who are not going to be professional musicians will see that even someone like themselves can benefit from high level instruction.


Once he pointed something out, I could hear it in the music and the students also heard the piece differently, too. Maybe this is more important than playing the piece perfectly. You do not have the required permissions to view the files attached to this post. Knowing the environment–people–are supportive because of their own experience. Board index All times are UTC. I think your are making great strides, I enjoyed both recordings.

I promised an updated recording I heard the door open as I was playing, but blocked that out completely. So if that is the case for you, you might consider that solution as well.

At this sauvade, I should probably re-record it I try badrios take every opportunity I can to do this. I’m not yet as skilled as the conservatory students in starting from anywhere in a phrase, but usually pretty close to it. He told me that he was not worried about me musically because I had a really nice sound and it was clear I had musical ideas Nevertheless, I do it partly so that those who attend the masterclass who are not conservatory students can see someone more like themselves.

Having listened to your two recordings it would be fascinating to hear what light was shed by the person taking the class, and what useful insights you were able to take from it. For the most part I am 40 years older than many of the other students they have in the masterclasses and I am not destined to be a professional as augstin are. Please consider supporting us by disabling your ad blocker on our website. But of course we must always address the problem and not ignore it.

I really do congratulate you for undertaking it! But, after practice and practice, I love a good masterclass as an audience member, I should add! The mic is a bit on the bright side for my tastes; in real life the guitar has a much richer sound. I’d be really interested to know what you were able to take away from the experience. Obviously, I need more practice recovering better.

Chôro da saudade (Barrios Mangoré, Agustín)

The Masters teaching the classes are able to instruct all levels and those who are destined to teach many of the conservatory students who were observers can see how an experienced teacher assesses an intermediate player and finds ways to help them improve their playing of the piece.


There was only one question asked. Level when we have no technical obstacles and where only interpretation and emotions becomes our friends. Congrats on a monstrously challenging piece. I will enjoy learning a new way of hearing the piece. When we were about out of time, he asked if there was a part of the piece that was particularly troublesome.

Then came section B again and somewhere in it I just blanked as to where I was and where I was going. I told him that I do notice that but was unsure how to go about fixing that. When I watched the other two sessions, I really enjoyed the insight into the music that the Maestro gave to each student. Jorge, who I could see over the fingerboard to my left, gestured toward himself with both hands, which I read as an indication that I was on my way down the fretboard.

Then I quickly took a seat in the front row so my back was to the audience.

bsrrios And Jorge was there to gently catch you up. Sometimes I play something and it is beautiful, then the next time I play it there is a problem. All the best for tomorrow and. As always, my performance could have been better, but realistically it is where I am and I had hoped with all the concentrated work that I did that I would get through the piece without major slips. A good time was probably had by all!

I could reach it, but the middle joint of my index finger was not stable enough and so it was not dependable. I went first and I tried not to focus on the audience at all to reduce my nervousness.